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| The most beautiful shot of the year : The Strangers - chapter 2 (Renny Harlin) |
The Strangers - chapter 2 (Renny Harlin) : the only film this year I consider as a masterpiece
The Shrouds (David Cronenberg) : moving and funny
A Perfect unknown (James Mangold) : a real musical
sex scene in Together (Michael Shanks) : the nightmare of every boys (and girls’?)
Le Rendez-vous de l’été (Valentine Cadic) : I ♥ Paris
Hot Milk (Rebecca Lenkiewicz) : cronenbergian
Final Destination 6 (Zach Lipovsky, Adam Stein) : first rate enjoyment
Ni Dieux ni maitres (Eric Cherrière) : whispered french wu-xia pian
Red Sonja (MJ Bassett) : poetic adventure
Woman in the Yard (Jaume Collet-Serra) : shadow style
sex scene in Le Rire et le couteau (Pedro Pinho) : three(awe)some
Le 5e plan de La Jetée (Dominique Cabrera) : an homage to Marker’s 2084
Materialists (Celine Song) : Dakota Cinematic Universe
Eephus (Carson Lund) : night falls
chase scene in water in 28 years later (Danny Boyle) : (Rhein) Gold
In the lost lands (Paul W.S. Anderson) : digital painting
Hurry up tomorrow (Trey Edward Shults) : let there be light
Papamobile (Sylvain Estibal) : year of the pope (and of Myriam Tekaïa)
